CSFF Blog Tour – The Realms Thereunder by Ross Lawhead

I’m a writer, so no matter how much I want to look at books the way readers do, and to convey information I think readers care about, I can’t help but notice things like story structure, especially when story structure plays a big part in the reading experience.

Some while ago I read a novel I’d heard many good things about, but no one had warned me about the … creative story structure. It was told from two points of view — nothing special there. The thing was, in following one character, the story was moving forward, from “the beginning” to “the end.” In the other character’s point of view, however, the story was traveling backward, from end to the beginning. Creative, yes, but I felt confused for at least half of the book, and I didn’t care for it in the end (or the beginning … which ever! 🙄 )

On the other hand, I read George Bryan Polivka’s Blaggard’s Moon with its story within a story within a story approach, and I loved it. It was innovative and took a little getting used to. For stretches I didn’t know for sure what was happening on the outermost layer of the story, but that was OK. I was sure I would know and in fact kept reading in large part because I wanted to know.

I mention these two experiences to point out that I don’t think innovative story structure is a make or break deal. I don’t hate or love a book based on its structure. That it’s creative in how the scenes fit together doesn’t make a story better or worse to me. I don’t, however, want to be confused — at least not for long stretches.

And why am I starting the CSFF blog tour for Ross Lawhead‘s The Realms Thereunder with a discussion of story structure? Surely you’ve guessed it. This Christian fantasy for young adults and up is not your standard journey-quest story structure. In a manner somewhat reminiscent of his father Stephen’s latest, the Bright Empires series, with its ley lines and travel from one time/dimension to another, Ross tells his story from the front end and the back end, with some realm shifting in between.

Forewarned is forearmed, I figure. It’s undoubtedly better to know going in that the story you’re about to read is going to be a little different than a “Once upon a time … the end” sort of tale. Did it work? Abundantly so, in my opinion.

I’ve never been a fan of large numbers of point of view shifts, and the shifting from story past to story present added a dimension to those shifts, but not in a distracting way. Yes, there was more to keep track of, but all in all, I thought the unique story structure worked in the book’s favor.

Now we’ll have to see what others reading the book as part of the CSFF tour thought.

Here are this month’s participants with the check marks linking to specific Tour articles:

√ Gillian Adams
√ Red Bissell
√ √ √ Thomas Clayton Booher
√ √ Keanan Brand
√ √ √ Beckie Burnham
√ Melissa Carswell
√ √ Jeff Chapman
√ Theresa Dunlap
√ √ Emmalyn Edwards
√ April Erwin
√ Victor Gentile
√ Tori Greene
√ Nikole Hahn
√ Ryan Heart
√ Bruce Hennigan
√ √ √ Timothy Hicks
√ √ √ Janeen Ippolito
√ Becky Jesse
√ √ √ Jason Joyner
√ Carol Keen
√ √ √ Rebekah Loper
√ Margaret
√ Katie McCurdy
√ √ Shannon McDermott
√ Eve Nielsen
√ √ Nissa
√ Joan Nienhuis
√ Crista Richey
√ √ Sarah Sawyer
√ √ Chawna Schroeder
√ Kathleen Smith
√ √ Rachel Starr Thomson
√ √ √ Steve Trower
√ √ Fred Warren
√ Dona Watson
√ √ √ Shane Werlinger
√ Nicole White
√ Dave Wilson
Rachel Wyant