As I’ve mentioned in a couple previous posts, I’m in the process of starting a new novel. I’ve done considerably more pre-writing than I have in my previous work. To date, I’ve written four novels and started three others. The four complete books are those in The Lore of Efrathah, which is really just one story. The partials were for either a contest or a critique group and I never fully developed the characters or story.
Two of the partials are fantasy and one is contemporary. In none of those have I done as much preparation to write as I am with the one I’m working on now. In many ways I’m curious to see how this turns out — will the story be easier to get down or not?
So here’s what I’ve done so far. After going through (for the second time) two and a half writing books (the third one was getting into some redundancy) that each had writing exercises I could do with my new story in mind, I’ve created a character profile for the protagonist, developed a time line to connect this prequel to The Lore of Efrathah, drawn a map of the city which is the main location of the story, mapped out a subplot, and finally listed out some of the scenes I envision including — the most basic list of “what happens.”
I feel pretty ready to start, so today I tackled that first paragraph. I know by this time that what I put down today will be unrecognizable by the time I’ve written the entire story and revised the necessary times, but still I wanted to head in the right direction. It’s much easier to tell the story the way it should be told, I think, if I can start it in the right place.
Of course, I no sooner finished than I remembered I had considered setting this one in wintertime. Oh, so already I have some revision to make!
But here’s the cool thing. I don’t think I would have considered having this story take place during winter unless I’d done the pre-write work.
One of the key lessons I’ve learned about writing is to push beyond the obvious. So if it’s obvious for the main character to stop at a fast food joint and buy a burger and fries for dinner, then that’s what he should not do. Of course all the actions need to be properly motivated and logical. They just shouldn’t be obvious.
It’s a basic lesson, but I remember when I first started writing, I had some line about water. I don’t remember what it was exactly — maybe how someone leaped across a stream or how it gurgled between the rocks. At any rate, I asked a writer friend how he would say it, and to my dismay he used a completely different set of words. See, I thought then that I should be like everyone else. I should say what others were thinking. You can see, I had a lot to learn! In fact I had to change the way I approached writing.
The next hurdle for me was to be satisfying with suggesting scenes, painting with a light hand so readers had room to imagine rather than producing a detailed replica of what I was envisioning.
Honestly, I can’t begin to tell you how many different lessons I had to learn and how many old habits I had to break. In reality, I’m still learning and probably always will as long as I write. But what’s changed is that now I know a lot of what I need before I start writing.
Last point. Since I’m writing this post as part of the Fantasy Friday series, I should say a word about the fantasy elements in this book. There aren’t a lot yet! I decided to set this story in a period of time when a lot of the “magic” has become dormant. So one of the issues I have to deal with is how much do these people know about the special powers so central to The Lore of Efrathah. Writing a prequel, I’ve decided, isn’t as easy as it sounds! 😉