CSFF Blog Tour – The Realms Thereunder by Ross Lawhead, Day 3


My Review

Reviews are never easy for me and this one, less so. There’s much to like about The Realms Thereunder by Ross Lawhead, but why am I not enthusiastic? I think I’ve figured it out, thanks to a number of posts by my fellow CSFF Blog Tour participants. But let’s start at the beginning.

General Comments. The Realms Thereunder, labeled general fantasy fiction, though published by Thomas Nelson, a Christian publishing house, is perhaps best suited to a young adult audience, though adults may get the most out of it — there’s a lot here to think about. It’s important to note that this is the first in The Ancient Earth Trilogy. Clearly, this book is the beginning of a larger story, though it reads somewhat as a stand-alone. There is a logical end point, though many of the story questions remain unanswered.

The Story. Protagonists Daniel and Freya are on divergent paths, yet they share a unique link from their early teens. While on a school field trip, they “went missing.” For days the world was in a panic looking for them, but they were in a realm beneath, engaged in adventure and the attempt to find the way home.

Switching back to the present off and on, the story follows the adult Daniel as he’s sent into yet another realm — Elfland — then Freya, as she’s duped and deluded, and finally a third person who doesn’t seem to fit into the picture until the end — Alex, the policeman turned mythical-creatures hunter.

Strengths. In my day one and day two posts, I’ve touched on some of the things I consider to be strengths of The Realms Thereunder. Ross has courageously stepped out of the standard linear story structure and told his tale using a change of time perspective as well as a change of the storyline.

In addition, he weaves Anglo-Saxon mythology generously, with a dab of history, into the contemporary story. It’s an interesting mix. Further, he has a section — Daniel in Elfland — that reminded me a great deal of C. S. Lewis’s Out of the Silent Planet. Whether this is intentional or not, I can’t say. But I liked it in Lewis’s work, and I liked it equally so in The Realms Thereunder.

Another positive worth noting, there’s little overt reference to God or religion, but there is much that appears to work as symbolism. As an illustration, three different blog tour participants independently selected the same quote that held spiritual significance for each. For a more detailed look at this aspect of the story see Thomas Clayton Booher‘s day three post.

In short, The Realms Thereunder is a layered story that gives the reader much to think about. It’s also unique and creative in its concept and execution. What’s more, I think all of these innovative things work, and they make the story well worth reading.

Weaknesses. A quick check around the tour, and you’ll find a number of reviews that are positive without being enthusiastic, and a few that point blank say they had high expectations that weren’t met. To balance those are another few that are supportive from start to finish — they liked the prologue, the story structure, the characters, the wrap, all of it.

So why the mixed bag? I have been asking myself this same question because while I read, I continued to put the book down for long stretches and felt no compunction to get back to it. I think various members of the blog tour have helped me put it all together.

1. The omniscient point of view, always more distant than first person or third person limited, did not help me to know the characters well.

In addition, in a section of the story when Freya has been duped and is delusional, the story slips into her point of view, but there’s no clue that this has happened and that the reader should not rely on what she’s experiencing. Hence, I began to cast about, trying to make sense of what was happening. Was the story now entering a third, future, time period? By the time I realized what was happening, I’d been pulled from the story.

The greater issue, however, was that I never felt closely attached to the characters.

2. While the primary characters are unique and believable, they don’t have goals or needs they are trying to meet. In the past portion of the story, Freya has wanted to go home from the moment she arrived in the underworld realm, but she made no plans to achieve this goal. After some time Daniel and Freya have a goal at last, but they seem to wander along with the two knights in a rather haphazard search for something others believe is necessary.

3. In addition to the wandering factor, the personal stakes for Daniel, Freya, and the extraneous Alex — a policeman who also has an apparently unrelated storyline — seem low. The reader already knows that Daniel and Freya survive their teen adventures, or there would be no adult thread, so whatever dangers they encounter carry little or no threat.

And the adult threads don’t seem to have high stakes because in these segments the characters seem to be moving wherever greater forces dictate, as if they have little or no say about where they go.

There’s actually one conversation about this very subject which makes me think there is much happening that will be revealed in the next book, but in this one, their manipulated wanderings didn’t make for compelling reading, I didn’t feel.

4. No one else brought this up, so this just might be me, but I found the prose to be off-putting. Well, that’s too strong. For the most part I knew what was taking place, but there were segments that confused me, others that seemed slow (written in passive voice, for example), and still others that told rather than showed. Here’s an example of the latter: “Swi∂gar pulled his spear back and lunged for another attack, but it was the worst thing he could have done” (p 347, emphasis mine).

Recommendation. So what did I think? I think Ross undertook an ambitious project for his debut novel. I admire him for the effort and am glad I read it for all the thought-provoking material it provided. And the fact is, there are people who loved it and breezed through it. I labored, but it’s not time I regret.

So how do I sum it up? I recommend this one if you love Anglo-Saxon history and/or mythology. That alone will make the book worthwhile. I recommend it for those who enjoy a unique take on fantasy tropes — not a portal to another world, but a passage to another realm in this world, and that realm (those realms?) is beginning to bleed back the other way. Lots of promise for the next two books in the trilogy.

Disclaimer posted in compliance with FAA regulations: In conjunction with the CSFF Blog Tour, I received a free copy of this book from the publisher, though quite obviously that fact had no bearing on my review.

CSFF Blog Tour – The Realms Thereunder by Ross Lawhead, Day 2



Day one of the CSFF Blog Tour featuring The Realms Thereunder by Ross Lawhead produced some good posts. I recommend, in particular, Keanan Brand‘s where you’ll find the reaction to The Realms Thereunder by Keanan’s teen niece who happens to be in this book’s target audience.

Another post not to miss is new member Rebekah Loper‘s thoughtful comments about the spiritual implications of a particular passage in Ross’s story. I love the way Rebekah made the spiritual connection and I love the way Ross resisted any urge he might have had to connect dots for his readers.

Interestingly, Thomas Clayton Booher, in his day two post, cites the exact same passage Rebekah did and elaborates on the Christian’s responsibility to share the gospel even with those who would rather not “have their bubble burst.”

The fact that both these readers had spiritual insights stemming from the same passage that was not overtly addressing spiritual issues, shows the power of implicit writing, I believe. Too often we writers feel the need to spell out what we want readers to see, but how much better to let the readers discover truth on their own.

Which brings me back to the particulars I wish to discuss about The Realms Thereunder. Ross Lawhead, as you may have guessed, is the son of highly accomplished novelist Stephen Lawhead, and therefore is familiar with the work of a novelist. Tim Hicks, who did some research about Ross for his day one post, points out that Ross c0-authored several books with his father and has had a number of other writing projects. This, however, is his first solo novel. And what an ambitious undertaking. I have to admire Ross simply for his effort.

First, he adopted an advanced story structure, which I mentioned in my day one post.

In addition, Ross does something few others have attempted — he closely weaves mythology (in this case, Anglo-Saxon mythology) into a present-day story. It’s sort of Once Upon A Time (the current ABC TV series) in reverse.

Third, he tells a story that mostly happens underground — not an easy thing to accomplish even for short sections of a story.

Fourth, he writes Christian fiction with a light hand, much the way J. R. R. Tolkien did. Any reader would feel comfortable reading this story, yet as I mentioned above, those alert to spiritual implications will find material with which to work.

Fifth, Ross is telling a story that is larger than just this one book. The Realms Thereunder is the first of The Ancient Earth Trilogy, so his scope is big. Epic, you might say.

Sixth, he is developing his characters backwards. Because of the story structure, he is showing character development in the adult characters that resulted from the portion of the story that happened to the younger versions of those characters.

It’s an interesting aspect of the story, and vital if this past/present back-and-forth was to work. How had the events that took place eight years earlier changed these people? It’s something we may not think about much when we read stories like Narnia.

Stephen Donaldson in his trilogy The Chronicles of Thomas Covenant the Unbeliever touched on this aspect of character development, as I recall. And C. S. Lewis hinted at some repercussions of the other-world adventures in Narnia. But Ross is able to do more because he actually tells part of his story from these scarred and changed characters’ point of view.

All in all, I’m impressed that anyone would tackle so much in a debut novel. Tomorrow, if things go as planned, I’ll give you my reaction to the book and my recommendation. In the meantime, you might be interested in some of the other reviews:

  • Jeff Chapman has an excellent plot summary.
  • Chawna Schroeder questioned the characters’ goals and how that affected the story.
  • Gillian Adams gave her reaction to the innovative story structure.
  • Steve Trower gave the best reason I’ve heard for not having his review ready for the tour.
  • Sarah Sawyer is holding a book-give-away contest.
  • Nissa is cooking up some kind of special scavenger hunt-ish type of thing at her site. No details yet, but she’s “hiding” things along the tour route. 😉

Lots more to come, so be sure to get in on the fun.

Published in: on February 21, 2012 at 1:37 pm  Comments (5)  
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