CSFF Blog Tour – The Ale Boy’s Feast by Jeffrey Overstreet, Part 2 The Beauty


Beauty in the midst of darkness

After looking at components that create darkness in Jeffrey Overstreet’s fantasy world depicted in The Ale Boy’s Feast—book four, or the White Strand, of The Auralia Thread series—today I want to consider the “haunting beauty” R. J. Anderson referenced in her endorsement.

Seemingly no one can write a review of Jeffrey Overstreet’s fiction without invoking the word or idea of beauty. Jonathan Rogers said, “Jeffrey Overstreet has made something beautiful here.” Another endorser says he “writes like Van Gogh painted.” Another said it’s a work of art and yet another likened it to a beautiful dream. At Amazon, reviewers say things like poetic, wonderful language, descriptive.

All this points to one of the chief elements of beauty in The Ale Boy’s Feast — words. Not just words, but the way Jeffrey Overstreet strings them together.

Here’s a short snippet to illustrate the point from a page I turned to at random:

As the ale boy emerged from the earth’s crooked mouth, he breathed deep, relieved to escape the stagnant air of the maze below. Any light, even the sickly glow of the sun’s cold coin over a world drained of colors, was better than the subterranean dark.

“The sickly glow of the sun’s cold coin” — how’s that for an image!

This passage serves as an excellent illustration of my point. Even when the scene is bleak and the character is suffering, the language elevates the reader because of its beauty.

But beauty comes in an even greater measure from the characters. For one thing, some cling to hope when all seems darkest. Cyndere believes the beastmen can be restored when all around her want to destroy them, when her own experience should lead her to hatred not hope.

Cal-raven clings to the hope of a New Abascar when every reason to believe he can find such a place crumbles, and his own drive has been built on a delusion.

The ale boy holds onto his friendship with Auralia and the promises he makes to Cal-raven and Cyndere. His hope to lead the captives to the king drives him.

Jordam hopes for the infant he saves and for freedom for those he’s helped to rescue. He hopes to find Cal-raven, and then Auralia. Even several minor characters hope in the face of despair and try in the face of defeat.

Which brings up a second aspect of the characters creating beauty in the darkness. Any number of individuals do heroic, sacrificial acts when all seems lost. Above all, the ones striving for the good are not always the ones readers would expect. The old thief, the slaver, the former traitor, the would-be assassin, and of course the beastman and the ale boy once overlooked because of his insignificance — these are characters who change or who make surprising contributions to the fight against the evil that is consuming The Expanse.

Beauty amid the darkness. It’s a fitting format for The Ale Boy’s Feast, and in fact, for the entire series because the theme seems tied to these two elements as well. But I’ll discuss more about the theme in my review.

To read what others on the CSFF tour have to say about The Ale Boy’s Feast, check the links at the end of yesterday’s post. You can also read an interview with Jeffrey over at Spec Faith in which he discusses art and Rachel Star Thomson’s overview of the series and review of book four posted there as well.

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