You hear it all the time as part of author interviews or writing instructor advice–read, read, read, and then read. But why? Shouldn’t writers be more concerned about writing, not reading?
The truth is, reading is as important to learning to write well as listening was to learning to speak. As children, we didn’t learn to speak by going off to a corner by ourselves and babbling in baby talk. If that’s all we did, day in and day out, we would never have learned what we were supposed to say when we wanted up or Dada or more.
Not only did we learn our vocabulary from listening, we learned sentence structure and grammar. If you had parents like mine, they corrected you if you said, I seed a dog or I swinged high. But chances are, you didn’t make those mistakes more than once or twice because you never heard your parents make them. In other words, learning to speak comes from imitation.
Learning to write is similar. By reading good stories, writers imitate, unconsciously, how to structure a plot, create conflict, develop a character, enhance the mood, establish a pace, and much more.
The thing is, writing fiction is not a static endeavor. Like language itself, it’s dynamic and therefore, what worked for Mark Twain back in the nineteenth century isn’t necessarily going to work in the twenty-first century.
Hence, part of a writer’s work is to read current fiction–good books that are coming out this year or last.
We’re having a discussion over at Spec Faith about Christian speculative fiction writers, and Fred Warren left a comment that said in part,
We buy each other’s books and trade “critiques” that are mostly affirmations and then wonder why the rest of the world (or the rest of the Christian fiction community) doesn’t understand how great we are.
Ouch!
But is Fred wrong?
I’ll say this. I’ve asked questions in posts at Spec Faith before about what current Christian speculative stories people are reading, and the results have been discouraging. Sure, if we opened the question up to the classics, everyone had read Tolkien or Lewis or Chesterton or MacDonald. Beyond that, few authors came to the forefront.
Is that because there are no good Christian speculative writers today? No. I could name a half dozen with ease. But shouldn’t every Christian speculative writer be able to do the same thing? Shouldn’t we know who is writing in our genre and who is at the top?
I’m not saying we shouldn’t also read general market fiction as well. There are good, quality stories that we can learn from though we must be certain we don’t decide simply to write a clean version of those books. Christians should want more than a baptized retread, and Christian writers should want to offer the “new song” God can put in our mouths, not an old song with bleeped lyrics.