Harry Potter And The Deathly Hallows, Part 2

I just got back from seeing the last of the Harry Potter movies. As usual, I came away feeling quite satisfied. The movie-makers, unlike those putting out the Narnia stories, did a good job faithfully rendering the book, in this case Harry Potter And The Deathly Hallows.

My only complaint was that I expected a review of Part 1 at the beginning to orient me to this last half, but that was absent. Consequently, I spent a few minutes trying to remember where we were in the story and what had happened last.

A couple things struck me as I watched it and afterwards as I discussed it with my movie buddy. First, I believe author J.K. Rowling when she said she never set out to write a children’s series. Harry Potter moved into dark and dangerous waters, and this book is the culmination of his fight against evil. Harry faces the greatest task, against the greatest odds, and must pay the greatest price.

In conjunction with that point, I can’t believe I didn’t see sooner (and without having to read it online) that the books — all of them — are about death. From the first to the last Harry is grappling with the loss of loved ones, and he eventually must come to grips with his own death.

Which brings me back to the original point: with such a serious theme running through all seven novels, it’s hard to call these children’s books.

Here are a couple other odd tidbits I thought about the movie.

Somewhere in the first half there were some awkward attempts to lighten the mood with humor. I didn’t think they worked. Rather, I thought they felt inappropriate by insinuating themselves into a serious story. Fortunately there weren’t many of these moments — I don’t remember any in the second half.

Similarly I thought “the kiss” was out of place and ill-timed.

On the other hand, the end, which some disliked in the book, I thought was handled very well. I thought it was appropriately brief but powerful, and it was such a nice tie to the first movie, it made me remember that one with greater fondness.

I also was struck by how the least likely characters ended up playing such key roles: the once-school-joke Neville Longbottom, the silly house elf Dobby, the less than grounded Luna Lovegood, even the apparently traitorous and wicked Professor Snape.

Now that it’s all over, I can’t help but wonder if J.K. Rowling will ever write again. Certainly she doesn’t need to — her fortune and literary fame is clearly established. But did she dig out the answers to the big questions that pushed her to write Harry Potter? Does she have others that might compel her to develop another fantasy world? Could she ever come up with one different enough from Harry Potter but equally as rich? It seems to me, anything less would be a huge disappointment, so perhaps the effort might seem too hard or too risky.

In the same way, will the young actors Daniel Radcliffe and Emma Watson be able to break from the mold they’ve been poured into and continue working in their profession? I have to say, of all the characters in the movies, I thought Emma Watson the most improved. She also seems to be interested in growing as a person, so she may not stay in show business. I suspect none of the main players need to work any more if they choose not to. But perhaps their drive to perform will draw them back to the big screen, even as Ms. Rowling drive to write may cause her to imagine another rich story.

Published in: on July 21, 2011 at 5:39 pm  Comments Off on Harry Potter And The Deathly Hallows, Part 2  
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