It’s HERE! Came on Monday, actually. I ordered this book when I first heard about it from Writer’s Digest, but when Jessica Dotta published an interview over at Novel Journey with agent guru and expert writing instructor, Donald Maass, I was more excited than ever to get his newest book, The Fire in Fiction: Passion, purpose, and techniques to make your novel great.
I know some people think there is a problem with that subtitle. I mean, come on, they say, techniques to make your novel great? As if you can create a masterpiece by using a paint-by-the-numbers kit.
Well, that’s the beauty of Mr. Maass’s books, at least the other two I’m familiar with—Writing the Breakout Novel and Writing the Breakout Novel Workbook. He is not trying to give a formula but an analysis. He’s looking at what has made other novels “breakout” or have an impact (his working definition of “great”).
The point is, he identifies what elements great novels have, gives some practice tools, and lets writers go from there.
This instruction book is light on “rules.” From a glance at the table of contents, I can tell you shouldn’t expect a discussion on point of view or verb tense or passive voice. If I were to categorize the main emphasis, I’d say it’s on characters.
This would make Nick Harrison very happy, while Jim Bell will be grinding his teeth. 😀 This picture was taken during a 2008 Mount Hermon workshop in which Nick and Jim “debated” the importance of character over story. According to Nick, no one cares about all the fast-action events in a story unless they first care about a character.
According to Jim Bell, no one can know a character unless they see them in action in the midst of a story.
Truth to both, clearly, but Mr. Maass spends the first fifty pages of his writing instruction about characters, so I think that provides us with a clue as to his position on the question.
Since I read to find out what happened next, I never thought I would agree with this character first approach. But I’ve read too many stories of late in which I just didn’t care … until I got to know what drove the character forward. Then, if I’m engaged with the character, I’m engaged in the story.
I read one book some years ago in which the character I followed for four hundred or so pages dies in the end. I have not picked up another book by that author since. I invested in that character and had no clue he would die. And I had no other rooting interest. I didn’t want to just have it all stop.
I’ve read other books that start with bad guys or with guys who die. I hate those books. I don’t want to attach to a bad guy. I don’t want to root for someone who’s out of the story after page twenty.
Characters matter, and they have to be done right. I’m convinced of that, but I’m still not sure if I understand how to do “right.”