I don’t think there’s any secret to the fact that I’m partial to epic fantasy. I mean, that’s my genre. I have my own epic fantasy, complete with character lists and maps, I might add, which I hope to publish some day. How excited, then, have I been this past year to see the popularity of Patrick Carr‘s series, The Staff & The Sword, increase. I mean, that’s the way an author dreams of having a series go. Publishers, too, I would guess.
Of course, I’m not privy to the sales for Carr’s series. I am only judging by the enthusiasm and the growing number of reviews. I’m used to seeing that number drop off as a series goes along. Not so with A Draw of Kings, the finale of this well-told story. Consider the fact that this book has been out for a little over a month and already has 71 Amazon reviews and 98 ratings on Goodreads, and I think you get a picture of the buzz this trilogy is creating.
That makes me happy as a reader and as a writer. I love getting lost in another world, and Patrick Carr did a good job creating a different place which had its own rules and alliances and enemies and power structures and supernatural connections.
Is the success of this trilogy a first step toward more epic fantasy?
I’d love to say, yes, definitely. But what I think it is actually a first step toward is readers wanting good stories.
In the end, I want good stories, more than I want epic fantasy. If I were given the choice between a poorly written epic fantasy and a well-told dystopian or fairytale or supernatural or contemporary, I’d pick the latter every time. I don’t think I’m unusual in this.
Yes, I have a favorite genre, but I’m not an exclusive reader. I don’t read solely in the speculative category, let alone in the epic fantasy niche. I like good stories, first and foremost.
So when I see a series like The Staff & The Sword get a lot of attention, I’m not thinking, Finally, people are discovering Christian epic fantasy. Rather, I’m thinking, Yea, an author has done Christian epic fantasy so well, fans are gathering to it.
Hopefully they will enjoy these books so much, they’ll be willing to try other speculative stories that might move them out of their comfort zone–books like R. J. Larson’s epic fantasy trilogy or Jill Williamson’s dystopian Safe Lands series or Shannon Dittemore’s Angel Eyes supernatural trilogy or Robert Treskillard’s Arthurian series, The Merlin Spiral.
Really, there are such good books out there right now. It’s a great time to be a reader who enjoys Christian speculative fiction, that’s for sure.
My advice is to hop on the bandwagon and pick up one of the Clive Staples Award 2014 nominations for your next good book. The fact that there are Christian themes engrained in the stories makes the reading experience deeper.
Poorly executed themes, no matter what the message, turn a good story sour. One of the great things about each of the CSA nomination I’ve read is that themes are handled appropriately–as a natural outgrowth of who the characters are and what is happening in the plot. There’s no, “Time out for a word from our sponsor” telling of the Christian message.
For those who have read at least two of the CSA nominations, I trust you have voted for the finalists or are planning to do so. You have until a week from today.
In the end, then, I think Patrick Carr and The Staff & The Sword trilogy are part of the rising tide of Christian speculative fantasy.
How well did A Draw of Kings do in closing out the story? I’ll give my thoughts on that tomorrow. For now, I suggest you see what others on the CSFF tour are saying. You can find the list of participants and links to their articles at the end of my intro post.