During the just completed blog tour for Cyndere’s Midnight by Jeffrey Overstreet, I read two notable statements that spurred my thinking about fiction. One was Jeffrey’s comment to yesterday’s post about themes. The other was a Quote of the Day in the sidebar of one of our blog participants (I neglected to note who). The quote was attributed to C. S. Lewis, so I did a little research to verify that he actually said this. Apparently it is a line from one of his lesser known works. Which is fine. The key is, he said about poetry what I believe about fiction:
Every poem can be considered in two ways–as what the poet has to say, and as a thing which he makes.
- C.S. Lewis in A Preface to Paradise Lost
Through the discussions I’ve had in the on-line Christian writing communtiy and the articles I’ve written and the comments I’ve received, through personal conversations and emails and blog posts by other writers, I’ve come to the conclusion that most Christian fiction writers see fiction as either a means to say something or as something the author makes.
The first group generally has overt Christian messages and may be accused of being too preachy. Authors in the latter group stress their creation of a story as art and are often accused of being too secular.
As I see it, the problem is that today’s Christian writers—and today’s Christian writing conference instructors—apparently see fiction in only one way, not the two C. S. Lewis said are present in poetry.
For some of us, writing is a means to declare the truth about God to a lost and dying world. We see the power of story and believe it is a way to connect with people in our culture who may never consider the claims of Christ through any other avenue.
For others of us, writing is a form of art. It is something we can do only because we have been made in God’s image and the very act of creating is an act of glorifying Him. Consequently we want to make the best possible piece of art we are capable of, and “preachiness” doesn’t fit into the paradigm of excellence.
But couldn’t C. S. Lewis’s statement about poetry also be true about fiction?
I understand that “commercial fiction” isn’t looking to write timeless stories, but why not? We have a timeless message. Isn’t it possible to write a rip-roaring tale that will be around a hundred years from now and still be enjoyed as a rip-roaring tale, one that said something universally meaningful? Look at Gone with the Wind or The Adventures of Tom Sawyer.
My contention is, the best art always says something meaningful. That it doesn’t convey an overt message shouldn’t be misconstrued: despite the bill of goods Modern Philosophy tried to sell us, the purpose of art, especially written art, is still communication. Why else would an author want others to read what he puts out there? (And anyone who said, For the money, hasn’t been around the publishing industry very much.
)
Of course, there really is “commercial fiction” that isn’t aiming to tell or to create. It exists to entertain, nothing more. It’s the “pulp fiction” of old, but evidently Christians want a clean version of it. I suggest we stop calling these stories “Christian.” They aren’t. They are clean stories. I think there might be a big market for them, beyond the Christian audience. But that’s another subject for another day.





It’s true that the whole area of fiction has become muddied because of so many people getting into it, without really having the talent or understanding to do so.
The following set of lectures provides a useful approach to God and the arts.
http://andjustincase.blogspot.com/search/label/New%20College%20Lectures%202008
I think that people should only write fiction if they cant avoid doing so. Those who just latch onto it as a tool for some other purpose bring it into serious disrepute. Most people won’t spend the time sifting through loads of rubble after the few gems.
Good old C.S. He had such a way of getting to the heart of a question, didn’t he?
This resembles in a lot of ways the perceived dichotomy between literary and genre fiction. I never like that argument. Why can’t a novel (or a movie or a song) be BOTH deep and entertaining? In the Christian context, why can’t we have a redemptive message without signalling it clumsily, overstating it and underlining it and smearing it in fluorescent orange paint so nobody can possibly miss it? We seem to forget that fluorescent orange paint is not a desirable artistic choice and will push more people away than it will attract.
I am all in favour of piety, but you need a lot more than that to engage a reader, especially a less pious one. And isn’t fiction a wonderful way to engage a conversation with the world? Why are we doing so much to miss this opportunity?
Ken, I was actually thinking with the advent of new technologies and POD, that we might find more people are able to write fiction than previously thought. Perhaps it isn’t only for the elite and most talented anymore. I see that as a good thing, because, in the process of writing fiction, the author grows, their problem solving abilities deepen, and their ability to grasp “the big picture” expands (at least, it has for me), regardless of whether the end product can be considered art or not.
“Perhaps it isn’t only for the elite and most talented anymore.”
Yes, it’s really very sad, isn’t it. Of course people can go on their own personal journey of discovery by writing their novel, but whey do they have to inflict the working bits on the rest of us?
When I was young the difficulty was finding things. Now the difficulty is blocking out all the rubbish. The amount of time you have to waste just sifting makes a serious dent in my life. I remember a year when the total number of Australian novels published was 17. You could go to all the book launches, meet all the authors, read all the reviews, take part in all the discussions. Today it is difficult to find another person who has even read one of the same books as you.
There’s an old British comedy line, “Never mind the quality, feel the width”. That’s the situation we are in today.
Really interesting post, Becky! I definitely fall in the second catagory: my writing is art and isn’t preachy enough for CBA.
I think I agree with Ken. Writing isn’t a choice for some. And those of us cursed with this compulsion should do our utmost to perfect our craft enough not to torture our readers or muddy the pool.
But if each of those books we perceive as being “sub par” wins one person for Christ, does it really matter if you are I are a little inconvenienced?
oops. typo. should be “you and I”
[...] can read Becky Miller’s whole post here. And then I’d love to hear your thoughts on this subject. For you, where do art and message [...]
Jessica, I agree with you. I think the plethora of voices is a good thing. Sort of like blogging. Those of us who want to say something now have a chance to do so. If one person listens and becomes a Christian as a result, how great is that!
I do wonder if the really great books will get lost in the shuffle. What if an outstanding storyteller artist is horrible at marketing?
But for the Christian, I think that’s where the sovereignty of God comes in.
And Janet, I agree with your perspective—I think a book can be deep and fun. We can laugh our heads off but then mull over the truths the humor uncovered. Or we can hold our breath as we slide to the edge of our seats but still ponder life’s truths when we close the book for the last time.
Why can’t we have both?
Becky
So Rachel, I guess my answer to you is in that last comment to Janet. First, I think we have to stop seeing the choices as between artistic and preachy.
A well-told tale can include a solid theme, and the really great ones always do. No one accuses To Kill a Mockingbird, for instance, of being preachy, but it has clear themes.
What I would like to see Christians come to is the idea that fiction can actually say something important. Does that have to be the plan of salvation? No. Does it need to be laid out overtly? No.
There is a third way, an artistic way of weaving in a theme so that readers “get it” without being told it.
Becky